Review Round Up: Othello, Theatre Royal Haymarket
We summarize the reviews of Tom Morris’s production featuring David Harewood, Toby Jones, and Caitlin FitzGerald.
The Stage
David Harewood and Toby Jones star in Tom Morris’ overwrought staging.
The Guardian
Harewood’s Othello holds your attention with his physical presence and imperial quality, the sniffs, smirks, and tics leading to his murderously wounded rage. He captivates the other characters to the point they freeze as he recounts meeting Desdemona. He woos them, and us.
The Independent
David Harewood reprises the titular role in a starry production that grants more power to the play’s women, but ultimately dulls its edge.
The Standard
What we have is stately West End Shakespeare, well-spoken and measured, directed by Tom Morris and designed by Ti Green in a style that feels oddly detached from the modern world. The production could have taken place in the 1990s, 1970s, or even the 1950s; even PJ Harvey’s unusual and sporadic score seems quaint.
WhatsOnStage
But the three central performances, each in their own way, fail to connect. Harewood’s Othello impresses in stillness; the moments when he gazes at Desdemona full of wonder reveal a beautiful depth of feeling.
Summary
Tom Morris’s production of Othello receives mixed reviews, praising Harewood’s presence while noting the overall staging feels dated and the performances lack cohesion.