Rosalía’s ‘LUX’ Mixes Pop, Flamenco, and Faith

Rosalía’s ‘LUX’: A Fusion of Pop, Flamenco, and Faith

With LUX, Rosalía creates more than just an album; it is part pop, part opera, and part world-language manifesto, pushing artistic boundaries while preserving her unique voice.

The Spanish artist structures the album in four movements across 18 tracks, crafting a space between noise and silence that blends high art with catchy hooks, intimacy with grandeur, and emotion with spirituality. Rosalía’s ascent in LUX echoes Mary’s assumption, symbolizing transcendence.

As both a performer and sound architect, Rosalía pushes her creative ambitions with this release. Throughout her career, she has drawn inspiration from flamenco, a centuries-old art form, reinventing it in a contemporary context and gaining global recognition.

Rosalía’s Artistic Journey

In 2017, Rosalía disrupted flamenco traditions with her debut album Los Ángeles, where she deconstructed flamenco’s over 50 styles into a cohesive pop narrative featuring verse-chorus structure. This approach reflected a modular and improvisational dialogue between singer, guitarist, and dancer.

Her 2018 breakthrough El Mal Querer, originally a baccalaureate thesis and awarded Album of the Year at the 2019 Latin Grammys, advanced this evolution by merging traditional flamenco elements with R&B production.

“If El Mal Querer was about translation — turning flamenco into a pop language — then LUX is about the feminine mystique and transcendence beyond language, concepts that automatically overhaul the rest of her discography by far.”

Conclusion

LUX represents a bold artistic statement that transcends genre boundaries, highlighting Rosalía’s continuous innovation rooted in flamenco and her exploration of feminine mystique and spiritual transcendence.

Author's summary: Rosalía’s LUX redefines flamenco by blending it with pop and spirituality, showcasing her evolution as a visionary artist beyond traditional boundaries.

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Rolling Stone Philippines Rolling Stone Philippines — 2025-11-06

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