In 1976, the bicentennial year marking the Revolution’s 200th anniversary, we were touring the album Horses, moving boldly into the future. It was a liberating time, spending moments with William Burroughs in his Bowery bunker, watching Television perform at CBGB, and dreaming of a turbulent future alongside my brother Todd while crossing America with a rock band.
Despite the nation’s deep flaws—like the shame of Vietnam, racial injustice, and gender inequality—we celebrated America’s cultural achievements: rock ’n’ roll, jazz, activism, abstract expressionism, and the Beats. It was during this period that I felt empowered and truly believed in our mission.
While touring the West Coast with Horses, our band, featuring Lenny Kaye on guitar, Jay Dee Daugherty on drums, Ivan Král on bass, and Richard Sohl on keyboards, was accompanied by Paul Getty and the French actress Maria Schneider.
Maria Schneider, beloved for her roles in The Passenger and Last Tango in Paris, with her intense black eyes and wild dark hair, appeared as a striking figure in a white shirt and black tie.
Paul Getty, grandson of a wealthy oil tycoon and survivor of a notorious kidnapping in Italy, was introduced to me by William Burroughs, making me feel like a young disciple within his circle. I grew fond of Paul, with his fiery red hair, freckled complexion, and eyes that, like mine, were slightly cast.
Patti Smith reflects on a transformative period in 1976, highlighting her vibrant life on tour, powerful cultural influences, and friendships that shaped her artistic journey.